![]() This allows for more complex cinema mixing scenarios for example. Somehow the ‘lite’ version says with the old 5.1 (6 channel limitation) whereas the ‘pro’ versions allow for many more channels or in some cases unlimited. Nuendo is the same as for Pro Tools /Pro Tools HD, Samplitude /Sequoia etc: multichannel outputs. One of the main differences for Cubase vs. Yes, I keep waiting & hoping (like many others I work with) that the penny will finally drop and perhaps Nuendo will simply go away, & where a true Cubase ‘Pro’ would pick up the difference. PS, also has a rather unique ‘hit point’ feature w/ pre-roll warnings etcĬould you explain why you think (or Know) this? I am genuinely interested in why Nuendo actually exists and even more so, why its better than Digital Performer 8 for Film Composition! Worth dropping in, asking questions, looking around. Ableton Live or Reason & rewire also works very well.Īl of that is briefly explained at e.g., ‘multiple sequences’, and ‘V-Racks’ MOTUNATION is an excellent independent forum thats been running for a very long time. Can see why people may use another more recognisable DAW like Cubase to prepare & fly things in. ![]() The history & approach has stuck a little. Has other features very unlike the standard DAW - MOTU goes way back to the 80s while Steinberg & Emagic were doing their thing in Hamburg, this was what was happening in Cambridge, MA. Be warned, it is quite quirky though, and the small font size /busy screen a bit annoying. i.e., Multiple mixers, a ‘Virtual Rack’, that is VIs and effects etc can be located within on a master rack, then which all sequences /songs may access (or not).ĭP8 is made for film - nothing like it, and for live performance for that matter, chaining songs, FX cues, lighting cues etc. When all the cues are finished, these can be ‘flattened’ into one contiguous sequence via ‘Song’ mode - if you wish, though not necessary.Įlsewhere, DP8 also mimics this kind of ‘independent’ operation, within a virtual ‘Studio’ if you like, independent from the ‘songs’ /instruments. These can be all set independently to start at their own timecode start locations, meter, length etc etc - completely without effecting each other. ![]() ALL other DAWS insist on one linear ruler /one project (with however many cues along this single timeline), PITA, given potentially shifting film edits, locations, sigs, tempos - anything earlier in the timeline can effect later, depending on a host of matters …ĭP8 allows for multiple sequences /projects within the one ‘Session’.
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